Settings for the adjustment layer Color balance (Color Balance): Settings for the adjustment layer Levels (Level): Do not forget to use adjustment layers as clipping masks, unless another action is specified, since we want to apply the correction only to the underlying layer. I want to improve the color shades and enhance the contrast of the image with the Taj Mahal, which will be our back background image, for this, apply adjustment layers Levels (levels) and Color balance (color balance). Create a new document (1000X1000px).ĭownload the image from the Taj Mahal at the link at the beginning of this lesson, then move the image to our document. Selecting a region changes the language and/or content on 1. “Because editing capabilities change every few months,” explains Apley, “it’s important to be continuously learning.” As long as your lighting is set up correctly, there are countless ways to introduce fascinating new backgrounds to your projects within the world of chroma keying. Keep your eye on the latest tutorials and updates to Premiere Pro through resources like Adobe Live and try out new ways to use Chroma Key tools in your videos. Watch how they did it and see the stunning result of their work. Creative studio Abby Priest experimented to discover whether or not they could use liquid paint as a green screen. In your video editor, cut a simple matte (called a garbage matte) between the person and the edge of the green area, and remove the background beyond the line of the matte.Īnything solid in color can potentially be a screen for a keying project. Hold the pop-up screen behind the person or object you want to shoot. You can use these to shoot keyable footage on the go. Look for small, fold-out background panels that resemble a round section of green screen. Take it further with creative green screens. Just making that decision will save your project,” says Vavra. “As a beginner, it’s worth renting that hundred or so dollars’ worth of lights.
You may also want to use a hair light to create a sharper line between your subject and background. These should be used to light the subject of your video. Next, get a 650-watt light and a 500-watt light, again with diffusion through a softbox or even white bedsheets. Vavra recommends renting two 1000-watt lights for lighting the screen itself and a method for diffusing, like softboxes, to put around them. The best types of lights for green screen footage. “That kit seems like it’s solving all your problems, but it’s introducing an entire world of new problems,” says producer and director Martin Vavra. These types of kits typically include one or two lights sufficient to light your subject only, which will create a patchy background that will be time-consuming and difficult to remove in your video editor. Cheaper green screen kits you can buy online are not going to cut it on their own.
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